“Sometimes I’ll buy flowers from a local shop if I can't find what I need in my own backyard. “I work with foliage that I forage from walks in my yard and neighbourhood and build detailed scenes and portraits with no glue or tape, just 100 per cent Mother Nature,” says Rawlins. Vicki Rawlins forages for materials in her garden and neighbourhood. In Chicago, artist Vicki Rawlins and her daughter Brooke spend much of their time outdoors foraging for materials that Rawlins then uses in her whimsical art. For example, I've transformed the leaf of Leea rubra into a Native American’s eyes, and a crepe jasmine leaf into a sky filled with birds.” “The process of creating each piece is a dance with time and nature, and a little like assembling a puzzle. Even when I am out in parks, I am always on the lookout for unique leaves, flowers, seeds and even vegetables that can inspire my next piece of art,” says Chandramani. “The materials I use originate primarily from my own garden. For Earth Day in April, Chandramani created a stunning world map using the petals of different flowers on a black backdrop. He also digitally manipulates the arrangements using different angles to make a montage.įellow garden artist Subhashini Chandramani, who lives in Bengaluru, India, uses discarded petals, leaves and seeds to make portraits of anything from the Hindu deity Krishna, complete with a flute, to Audrey Hepburn, flamenco dancers and birds, using poinsettia leaves. Given the nature of his work, Inoue’s palette shifts with the seasons as leaves and petals change colour. He uses freshly cut flowers to create portraits of insects, from delicate beetles to vibrant ladybirds, using stems to artfully form legs. Recognition of interconnectedness will doubtless prove to be an essential part of our new relationship with nature, one that sustains us and our planet into the future.His creations also include orangutans, llamas, colourful birds, fish and butterflies, and even dinosaurs. They use natural materials to create ephemeral sculptures expressing life’s interconnectedness. “A sense of fragility informs the work of Philippa Jones and Martin Hill. “Hill and Jones’ art allows us to fully understand the meaning of connectedness - and its inspiration comes from learning from nature’s design.”ĭr James Fox, art historian, presenter of BBC’s Nature and Us - A History Through Art: But we can thank them for bringing that, at one degree removed, into our lives.”ĭr Karl-Henrik Robert, founder of The Natural Step: Few of us will ever experience, at first hand, what Martin and Philippa have seen, learned and loved over the last 30 years. “The passion and love that people invest in the work they do is a mark of respect for all those with whom they want to share that work. Sir Jonathon Porritt, founder of Forum for the Future, UK: Their sculptural forms harness the very processes they promote, creating images that are both conceptually grounded and elegantly demonstrative.” They call on us to think deeply and change fundamentally. They address existential challenges through installations and images of stillness and clarity. “The art of Martin Hill and Philippa Jones displays great poetry and peace. We need inspiring creative work like this as well as scientific analysis if we are to make the change to genuine sustainability.”ĭr Alasdair Foster, Adjunct Professor, School of Art, RMIT University, Melbourne: “Martin and Philippa’s sculptures are a beautiful reminder of the cyclical design model for sustainable enterprise. Paul Hawken, American environmentalist & author of Drawdown and Regeneration:
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |